Anderson Museum features Funderburk’s ‘New Solar Myths’

February 12th, 2014 Comments Off on Anderson Museum features Funderburk’s ‘New Solar Myths’

Brent Funderburk | "Beauty is Not Enough" from "New Solar Myths" show | 25" X 40" Watercolor and papier colle on paper, 2013

Brent Funderburk | “Beauty is Not Enough” from “New Solar Myths” show | 25″ X 40″ Watercolor and papier colle on paper, 2013

(Via Professor Brent Funderburk)

For artist Brent Funderburk, color is not an option. When someone says a word using the letter “x,” he sees a coppery hue; when the number “5” appears on a bank draft it is always a blue-black color.

Brent Funderburk at his home studio--for Our People“My eyes are as much on the inside as outside,” said the Mississippi State University professor, who has taught in the state since 1982.

Funderburk is a self-described synesthete, a scientific term for someone who has “crossover” senses.

His exhibit, “New Solar Myths: Paintings and Drawings by Brent Funderburk,” will be on display at the Walter Anderson Museum in Ocean Springs from January 16 through April 30.

“Color harmony was handed down to me from my teacher Edward Reep, a great American painter who studied with master colorist Josef Albers,” said the North Carolina native. “When I’m in nature, color still commands my attention and clues me to meaning. In the paintings, I orchestrate this wave of feeling that comes over and through me.”

The 31 paintings and drawings making up the exhibit in the main galleries of the Anderson Museum illustrate this “colored feeling” in intense watercolor and acrylic and charcoal images of creatures and flora interconnecting with geometric forms and formats.

Funderburk will speak about his work in a slide talk, “Finding the Symbol That Explains Everything: My Art and Walter Anderson,” at a public reception on March 13 at 6 p.m. at the museum.

He will also give an illustrated lecture, “Walter Anderson: A World Vision for Art, Nature and Man,” on Thurs., April 10 at 6 p.m. also at the museum. The presentation will be filmed before the live audience by New Orleans PBS documentary filmmaker Win Riley.

Walter Inglis Anderson made an early impact on the artist/naturalist/teacher. Funderburk’s courses since the ’80s, “Sea Earth Sky” and “Encounters,” have guided students into the life art and environments of Anderson over the years, combining the natural sciences with art processes in the field and classroom. Funderburk has curated touring shows of the Gulf Coast artist’s work and has given lectures at numerous museums and universities.

“New Solar Myths” is Funderburk’s thirty-first one person show; he has exhibited nationally and internationally and was the official artist of the 2010 USA International Ballet Competition.

Funderburk contends that it all comes back to the “maintaining of childlike eyes in the nearest faraway place.

“I was nearsighted, synesthetic and a twin,” he said. “We spent hours seeing, playing, singing our new discoveries. My brother, an architect, and I both visualize spatial sequences to organize our projects and lives. It came from our playroom experiences as children. ‘New Solar Myths’ are just the latest versions of what we played.”

 

The Walter Anderson Museum of Art (WAMA) opened in 1991 in historic Ocean Springs, MS.  WAMA is dedicated to the celebration of the works of Walter Inglis Anderson (1903-1965), American master, whose depictions of the plants, animals, and people of the Gulf Coast have placed him among the forefront of American painters of the Twentieth Century; and to his brothers, Peter Anderson (1901-1984), master potter and founder of Shearwater Pottery; and James McConnell Anderson (1907-1998), noted painter and ceramicist.

Hours: Monday- Sat. 9: 30am- 4: 30 pm, Sun.- 12: 30 pm- 4 : 30 pm
Prices: $10 for adults,$8 seniors, students, AAA, Military, $5 children 5-15, Museum members  and Children 4 and under are free. Discounts provided for groups tours.
 
Walter Anderson Museum of Art
510 Washington Avenue
Ocean Springs, MS  39564
228.872.3164
 

Brent Funderburk’s Biography
Brent Funderburk’s Biographical Essay

Read more about Funderburk’s other recent Anderson lectures.

Read the story on MSU’s website.

 

A packed house for Funderburk’s Walter Anderson lecture

January 28th, 2013 Comments Off on A packed house for Funderburk’s Walter Anderson lecture

Professor Brent Funderburk presents “Walter Anderson: A World Vision of Art and Nature.” (Photo by Beth Wynn | MSU University Relations)

The Robert and Freda Harrison Auditorium in Giles Hall was filled on Thursday (Jan. 24) for a lecture presented by Professor Brent Funderburk, “Walter Anderson: A World Vision of Art and Nature.”

Walter Anderson’s youngest son John, a friend of Funderburk, was present for the lecture, which was meant to introduce the MSU community to the works and life of the artist Walter Anderson.

John Anderson was also visiting the campus to work on discussions to establish a Walter Anderson Center at Mississippi State, which would make his father’s works accessible to not just the MSU community but to scholars, artists and others worldwide.

Funderburk, a professor in the Department of Art at MSU who has spent years researching and focusing his classes toward Walter Anderson, walked the audience through the artist’s life history and paintings.

Funderburk said Walter Anderson, throughout his life, was searching for the answer of “What is art and my place in it?”

After a lifelong struggle to find the meaning – from art training in Philadelphia, Penn., New York and Europe, to a battle with depression that nearly killed him – Funderburk believes Anderson found his meaning of art. Along the way, Anderson discovered that when two different languages meet, they produce a third thing, a miracle, and he believed art could be that miracle.

Walter Anderson took some early advice from his mother to heart – to not show his work until he went as far as he can. After his death from lung cancer in 1962, Anderson’s family uncovered a mural, hidden in his cottage in Ocean Springs, Miss. In the cottage was also a wooden box that contained 85 log accounts of Anderson’s journey to discover the meaning of art and 2,000 neatly stacked watercolors.

“The box has been opened,” said Funderburk. “I believe with all of my heart that nothing could stop him and that they were meant to be seen.”

John Anderson (back, right), Walter Anderson’s youngest son, attended the lecture.

Funderburk to present Walter Anderson lecture

January 15th, 2013 Comments Off on Funderburk to present Walter Anderson lecture

“Walter Anderson: A World Vision of Art and Nature”
An illustrated lecture by Professor Brent Funderburk
3:30 p.m., Jan. 24, 2013
Robert and Freda Harrison Auditorium, Giles Hall

Brent Funderburk, a faculty member in Art at Mississippi State University since 1982, has pursued Walter Inglis Anderson through lecturing about him, curating exhibitions of his artwork and dedicating courses to his vision for 30 years.

Funderburk’s lectures and exhibitions have taken him to many universities and museums, while his MSU classes – “Encounters,” “Sea- Earth- Sky” and various watercolor courses – have taken art and natural science students into the world of New Orleans-born/Mississippi-based Anderson. In order to better realize the renaissance perspective of Anderson’s philosophy and to help develop their own, Funderburk and his students dove into Anderson’s works – from Horn Island in the Gulf of Mexico, to nature’s forms, close and far.

Funderburk’s talk “Walter Anderson: A World Vision of Art and Nature” will present the lifelong, creative investment of the artist, naturalist and writer Anderson. Funderburk will discuss why and how Anderson created thousands of images – some purposefully reproducible for the identity of the greater local world and community – and others more carefully crafted, selected and hidden from view. The images revealed show a plan to replenish a culture bent on nuclear destruction, and those hidden might offer cross-millennial (and cross-cultural) “inside” communication from artist/sage to artist/sage, as vanguards in the movement.

Walter Anderson’s two bodies of work, one “tribal” and one “virtuosic,” report  a one-man campaign to save mankind (as well as himself!) and his natural environment through the power of art.

Did Anderson succeed in his world transforming plan? Funderburk believes that he did, and will attempt to prove it though a guided trek through hundreds of Anderson’s jewel-like watercolors, lightning lined drawings and myriad decorative objects.

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